Classical, Classicism and Neoclassicism
Classicism and Neoclassicism, in the arts, historical tradition and aesthetic attitudes were based
on the art of Greece and Rome in antiquity. In the context of the tradition, Classicism refers either
to the art produced in antiquity or to later art inspired by that of antiquity.
Neoclassicism always refers to the art produced later but inspired by antiquity.
Thus the terms Classicism and Neoclassicism are often used interchangeably.
The words "classic" and "classical" are used in various (and often confusing) ways
in the history and criticism of the arts. In its broadest sense, Classicism is used as the
opposite of Romanticism,
characterizing art in which adherence to recognized aesthetic ideals
are accorded greater importance that individuality of expression.
The words often implies direct inspiration from antique art, but this is not a necessary part
of the concept, and according to context, the word might be intended to convey little more than the
idea of clarity of expression, or alternatively of conservatism.
In the context of Greek art, the term "classical" has a more
precise meaning, referring to the period between the Archaic and Hellenistic periods, when Greek
culture is thought to have attained its greatest splendor.
The three terms "classic", "classical", and "classicism" are
often not used with discrimination or exactness. The conflation of historical term and value
judgement reflect the idea (dominant for centuries) that the art of the Greeks and Romans
set a standard for all future achievement.
To clear up (or perhaps add to) the confusion,
the rather ungainly word "classicistic" has also entered the list, conveying the idea of
dependance on ancient models but without any sense of qualitative judgement.
Bibliography:
Classic art : an introduction to the Italian Renaissance, Heinrich Wölfflin , 1980
The Oxford History of Classical Art, Jeremy Tanner, 1994
Representatives of Classicism in this Directory:
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AGRASOT, Juan Joaquín |
1836 - 1919 |
Valenica, Spain |
|
ALMA-TADEMA, Sir Lawrence |
1835 - 1912 |
Leeuwarden, Holland |
|
ALMA-TADEMA, Laura Teresa |
1852 - 1909 |
London, England |
|
AMAN-JEAN, Edmond François |
1860 - 1935 |
Seine-et-Marne, France |
|
AMAURY-DUVAL, Eugène |
1806 - 1885 |
Paris, France |
|
BAUDRY, Paul |
1828 - 1886 |
Vendée, France |
|
BOUGUEREAU, William |
1825 - 1905 |
La Rochelle, France |
|
CHAPLIN, Charles |
1825 - 1891 |
Andelys, England |
|
COUTURE, Thomas |
1815 - 1879 |
Senlis Oise, France |
|
DAVID, Jacques-Louis |
1748 - 1825 |
Paris, France |
|
GEROME, Jean-Leon |
1824 - 1904 |
Vésoul, France |
|
GODWARD, John William |
1861 - 1922 |
London, England |
|
GOLTZIUS, Hendrick |
1558 - 1617 |
Mühlbrecht, Holland |
|
HOLBEIN, Hans, the Elder |
1460 - 1534 |
Augsburg, Germany |
|
LEFEBVRE, Jules Joseph |
1836 - 1911 |
Tournan, France |
|
LEIGHTON, Lord Frederick |
1832 - 1896 |
Scarborough, London |
|
PERRAULT, Leon Bazile |
1832 - 1908 |
Poitiers, Paris |
|
PICOT, François-Edouard |
1786 - 1868 |
Paris, France |
|
POUSSIN, Nicolas |
1594 - 1665 |
Les Andelys, Italy |
|
PRIMATICCIO, Francesco |
1504 - 1570 |
Bologna, Italy |
|
RENI, Guido |
1575 - 1642 |
Bologna, Italy |
|
WONTNER, William Clarke |
1857 - 1930 |
London, England |
|